It is Saturday night in New York City, just after midnight. While most of Manhattan seems to be walking to and from bars, at Liberty Square hundreds of protesters are in sleeping-bags covered with tarps to keep out the rain. It’s hard to navigate the park without stepping on a snoring body; a few are sprawled blanket-less on park ledges meant for sitting. Someone strums a guitar and people sing in a tent by flashlight, as if from inside a paper lantern.
Earlier today I went to SlutWalk, the world-wide anti rape-culture protest. It’s timely in New York, with two cops acquitted of rape charges and police warning women to dress conservatively. But after Slut Walk, I came here, to day fifteen of Occupy Wall Street–the “live in” protest about the disparity of wealth among the classes, the control big business has on the government and the corruption of Wall Street institutions. I should have guessed that tonight the protesters would be exhausted–just hours before 700 people were arrested in a march over the Brooklyn Bridge.
At SlutWalk, I pulled my sunglasses over my eyes, as I felt them filling with tears. It was the feminist rhetoric I grew up with that got to me. All around me were women with signs like “blame the system not the victim” — and “Slut” scrawled on their chest ala Kathleen Hanna. The lonely teenage riot grrrl inside of me couldn’t believe it.
But at Occupy, my eyes were wide. It wasn’t the fight I grew up with, but the one that was happening all around me, the frustrations of my generation unfurled. There were messages like “Wealth is meaningless on a dead planet“ or “United Snakes of America” scrawled on deflated Trader Joes bags or spotted pizza boxes. I watched in a daze, before realizing I had fallen in line for the march.
At the foot of the bridge, a sea of people unrolled as far as I could see. It was a sampling of the general population– the various ages, ethnicity and culture you might see on a Metra train. At Slutwalk one of the speakers had said “look around you, look at all of the different people and cultures and colors” and I swallowed back a tiny sob. Here, all the more true, I felt warm and stunned, too shocked to cry.
As we marched onto the Brooklyn Bridge, other protesters went on the street below which had now been cordoned off. “I want to be down there!” I heard and people began jumping from the bridge to the street. One man positioned himself over, gripping the railing, and a police officer grabbed his legs– he was dangled above a 500 foot drop into the east river. Some protesters pulled him back onto the bridge.
I missed the SlutWalk march. But as SlutWalk marchers rounded back chanting, “hey, hey, ho, ho, rape-culture has got to go” I felt my heart beat, bongo-like. At Occupy Wall Street, we were told “don’t yell at the police, they are part of the 99% too. Be peaceful!” But at SlutWalk, everyone knows, cops are not friends. The acquittal of two NYPD officers charged with rape rung in the ears of New York. The protesters yelled, directly at the police, there were anti NYPD chants and some carried signs like: “We will protect ourselves, get a .45” and “Rape is a Felony even for the NYPD”. When the cops told myself and a few girls to move out of the way, we rolled our eyes.
Soon, at the Occupy Wall Street protest, the cops were arresting everyone in the street. A preteen girl with an Invader Zim cap was among the arrests; and cuffed protesters kept chanting– “the banks got bailed out, we got sold out” — “Whose bridge? Our bridge!”. We were told to march on, and I checked the twitter hash-tag, and retweeted “@CNN Is the Brooklyn Bridge too far from your midtown offices to get a camera crew there? Cover the news. #occupywallstreet”.
I saw reporters at SlutWalk, snapping photos of some of the sparsely dressed girls. While the media image of SlutWalk has become the topless protester, a number of the girls I talked to told me, “I’m wearing what I was sexually assaulted in”–A SlutWalker I met at Occupy in jeans and a hoodie told me this. We sadly agreed: “That’s the real SlutWalk uniform”.
As Occupy protesters got arrested, we marched into Brooklyn. Here, there was a rally, using the people’s mic. Without a PA, Occupy announcements are passed through a sort of game of telephone–the speaker speaks one sentence at a time, pausing, as the crowd repeats it to those behind them. It has been called one of the more striking features of the protest, and undoubtedly hearing messages reverberate through a crowd is powerful.
One man named Trevor stood to talk–“I work 60 hours a week. I get two paychecks a month. One goes to rent and the other goes to food. We can do better than this. This is indentured servitude.”
Later, a veteran of the Iraq war spoke. He talked about holding an Afghan child in his arms, as he died, then holding a Marine as he died. “Some people say we were fighting for one thing. Other people say we were fighting for another thing” people repeated through the crowd. “All I know is I now understand we are dieing for the bank accounts of the rich.”
Before I left SlutWalk, there was a rally too. Sarah E. Patterson gave a fiery talk about sex workers rights: “A society that does not treat its most vulnerable members with the respect doesn’t treat anyone with respect” she said to cheers. Ceyenne Doroshow talked about being trans and made story about almost getting raped by two men into something uplifting and light. I remember SlutWalk this way, colorful, joyous even. But when I think of Occupy it’s the gray sky bearing down on the Brooklyn Bridge’s stringed arches, ominous.
While most toss and turn in their sleeping bags at Liberty Square, I find some people hanging out in the back of the Wikileaks truck. There are bean bags and mattresses. There is no alcohol or drugs allowed on the premises, and the protesters take this as seriously as they take staying peaceful. They are not here to be violent, they are not here to party. But in the truck, the mood is light. The kids take turns telling bad jokes. “Knock knock” someone asks. “whose there?”… “9/11”. “9/11 who?” someone asks back. “You said you’d never forget!”
Earlier that day, scrolling through the hastag, #occupywallstreet, I saw acclaimed Internet feminist, Sady Doyle on the thread–ranting at the WikiLeaks truck. Bringing up the Julian Assuange rape case, she tweeted: “Asked the guy at the #wikileaks truck point-blank whether penetrating an unconscious person was rape. He said, not rape “if they’re married” or “if they’ve slept together.”#occupywallstreet.”
At the SlutWalk rally, someone adressed Occupy Wall Street– “We need to talk about whether we should be occupying this land at all. We need to talk about colonialism and imperialism. We are not the indigenous people of this land!” No doubt, there is a place for this discussion, but it seemed to confuse the audience, who were dispersing. Why did it feel like SlutWalk was pinning itself against Occupy? As though one cannot be a feminist and any other sort of activist?
“What the hell happened with Sady Doyle?” I ask the Wikileaks truck guy. He tells me that Doyle came up to the truck and started yelling at him about the Assuange rape case. His answer– that sometimes in relationships it isn’t rape– obviously isn’t great or even cool. But I can’t shake feeling alienated by this clash of the movements, especially considering how egalitarian Occupy is. One of the rules of the people’s mic is that it’s customary to ask: “are there any non male, non white folks that would like to speak first?”
Despite mainstream media outlets like The New York Times making the Occupy protesters out to be faux-intellectual drop-outs, the kids are witty and smart. The conversation flows smoothly between atheism, feminism, ethics and philosophy. They are college grads, who are living what they learned in school–despite the fact that they can’t get jobs.
Perhaps the misunderstanding of the movement is generational. The protests of the 1960’s or 70’s seem black and white in contrast, but today’s digital age brings with it a kaleidoscope of viewpoints and political shades. And while there are a number of democrats here, there are lots of anarchists, some are syndicalists who believe in unions, a few are capitalists who believe in free markets and most don’t specify.
It leads me to wonder if this is the birth of a new movement–perhaps, a first ever unification of many different political ideologies. If so, it makes sense that it would take them time to find a message that unites them. Or perhaps the mainstream just can’t hear their message.
In truth, the camp is impressively organized, and works as it’s own tiny town. Entering, I’m offered a sleeping bag, heavy coat, and a tarp to pull over myself in the rain. The food table is filled with granola bars, fruit and hot pizza. There is also a lending library and creative project area to keep people entertained.
There is a joke of needing a sectioned off sex area as well. Occupy Wall Street offers impressive sex kits which include condoms, dental dams, lube and finger cots. “I almost stepped on this couple having sex in their sleeping bag, they just looked at me, laughed and kept going” says one of the protesters.
Late into the night, the fire department arrive at the square — they are flashing lights and blowing sirens. “What’s going on?” I ask. A protester named Max explains that this has happened every night. “They are here to fuck with us, make sure we don’t get sleep. It’s not the firefighters fault, they are ordered to it do it,” he says.
The conversation drops off, and he worries aloud about what might happen, the violence. The protesters are tired and the cops are hardening. This is supposed to be a peaceful protest, but what happens if a cop goes further, what happens if a cop kills a protester? “We will snap.I am afraid of what I would do” says Max. “Everything will change.” The rest of the group agrees, wearily and fearfully, that sometimes it does feel like this is what it’s building toward.
Today, going over the Brooklyn Bridge, I passed a girl who had also just come from SlutWalk, saying about the cops– “they hate feminists!” Another girl, passing her, turned and said, “it’s not just feminists they hate.”
As the firemen wake more and more people up with their flashing lights, I check the time. It’s 3:00 a.m. and the people who’ve been arrested should be arriving soon, but it’s hard to imagine where they will all fit. “That’s why we marched to the park in Brooklyn” says Max. “The rumor is, that’s going to be our outpost.” Unlike the cooked Radiohead is playing Occupy rumor, this one makes sense. The protest keeps growing and the kids are here for the longhaul.
On Wednesdays night, I watch the videos from that days march, which I don’t attend– I see a cop beating a woman with a baton, swinging to hit as many people as he could. I hope for this extra space.
SlutWalk NYC was an explosion that was over in a few hours. No one yet knows when Occupy Wall Street will end. You can’t compare the two movements, they for different causes, reacting to different things. But both are born of a similar seed– of fighting a similar evil, of the same generation. A generation who want better, who were promised better. And who are out doing something to get it.
Occupy photos by Edmund X White, SlutWalk photos by EnnuiPoet
You tell me.
Do you support SlutWalk? Occupy Wall Street? Why or why not?
How are the movements the same, how do they clash?
What does this mean for our generation?








































Long Live the King: Why don’t we Love Drag Kings like we do Queens?
I’m out with a pack of drag kings. I’m in the backseat and in front are Billy Burg and Jonathon Bitchman — members of drag-king troupe Switch and Play. We’ve just come from a performance and Jonathon is still in muttonchops and cowboy hat. We are headed to a John Waters-themed drag party. “John Waters loves drag kings!” someone says in the front seat — “Well, John Waters at least had drag kings in one of his movies, which is more than I’ve seen anywhere else.”
Lady Gaga’s recent VMA stint as drag king persona, Jo Calderone, may be the first drag king performance on national television. We’ve seen drag queens on screen, Rupaul has been on television for more than 20 years, but there has been no king equivalent. But it’s not for a lack of a scene — Murray Hill, an accomplished NYC drag king is finally getting some notice by UK television — still no love in the U.S. Propping myself up between the two kings in the backseat, I’m trying to figure out why.
Drag historian, Joe E. Jeffreys archives early footage of drag performances, and from what he’s found, drag kings were there from the beginning. Storme Delarverie, a drag king (and Stonewall veteran) performed at the Jewel Box theater in the 1950’s. The Jewel Box was a traveling drag show that extensively toured the U.S. from the 40’s up until the early 70’s.
Even in earlier days of vaudeville (in the late 1800′s on) drag-kings were common. Women would take the stage dressed as men to sing songs, tell stories — which were somewhat off color — and smoke cigars. Simultaneously, in American culture, gender roles were under going a massive change. This era saw women pushing for the right to vote, and even the right to wear pants. “The big sociological question is how did this transfer to the stage?” asks Jeffreys.
In a loud club, I am drinking whiskey with the kings. I shout over the music; “Is the drag king more taboo than the drag queen?”
There are a lot of answers to this. “It’s more disruptive of power,” says Billy, getting at the idea that a man loses power when he dresses up as a woman, but a woman gains power by dressing as a man. “I mean it’s literally aggressive to put on male drag,” someone agrees.
The talk inevitably turns to Gaga’s performance and the very reason it was so shocking. She was being sexy in a male way, which registered as shock and horror on the faces of sexy pop starlets like Katy Perry and Britney Spears. “I can’t think of another time a female pop star — or anyone — so blatantly broke the gender binary on television,” someone says. Definitely, women in pop culture are expected to adhere to very specific roles.
According to Jeffreys, the popularity of drag king’ing comes in waves. If the 1940’s and 50’s saw was a time of celebration of drag kings — the 1990’s was the drag king explosion. In New York, Club Cassanova was the first weekly drag king party. Diane Torr offered drag king workshops. And at bars in the East Village, Shelley Mars took the stage, in drag, telling sexist jokes — “why do men come before women?” — “Who cares?” before jerking off beer bottles. Or, she played a gay male character with AIDS dementia.
In 1997, John Waters interviewed Club Cassanova’s organizer, Mo B. Dick. Mo points out that, at the time, there were a lot of feminist messages in drag — a critique of men — but the drag kings of color were often more respectful. “There’s too much negativity going around as it is. So they’re more positive,” Mo says. DRED’s on stage message is a shining example: “Society is so concerned with what makes a woman and what makes a man. All that matters is what makes us human… Let your light shine through. Let your fire burn.”
Mo also describes his first drag character — a sailor who slapped boys on the butt. Waters says, “You were ‘trade’ that’s what you were. A woman dressed as male trade. That’s very sexy. It’s confusing. See, to me, sex is always the best when you’re confused.”
Classic drag is about performing a gender role– one that is outdated. “Who is that person lady gaga presented? Has that person existed since 1955?” asks Jeffreys.
Where the kings of the 90’s were critiquing masculinity on stage, the kings that followed embraced it. “I’m interested in how men are vulnerable. And how masculinity can be a burden” says Billy, whose personas include a businessman who discovers he’s gay, and a creepy preacher.
At the John Waters showcase, I am getting an education in the newest school of drag performance. The younger kings go beyond masculinity and shun the binary altogether. A drag king might have breasts and a phallus. As Jeffreys reminded me, sociologists tell us that the first two things you register about anybody in the first three seconds of meeting them is their race and their gender. And maybe that’s why I like this new drag so much, it is confusing.
Talking to the Kings, it feels frustrating that they have not been able to break into popular culture the same way queens have. “We live in a society that sexualizes femininity, so to have a woman dress as a man breaks those norms and mainstream society has a difficult time seeing women in masculine roles,” says Billy.
But also, as I watch the John Waters showcase, which includes gender-queer homages to Divine, and an act where a performer does something unspeakable with a hard boiled egg, it’s hard not to appreciate feeling a part of something still off the mainstream radar, untainted by the inevitable effects of joining popular culture.
This story originally ran on Sexis as part of my SexBeat column. See more stories like this one here.
You tell me:
Why haven’t drag kings caught on in popular culture the same way as drag queens?
Is there something more taboo about a woman taking on a male role?